“We don’t want to give it a rest we want to come right back at ’em, hard,” Thrill said. That’s unusual for the people of Jacksonville – they see you every day and they’re like, ‘Uhh, you can’t rap.’ But they go and groove to your jam, know you and respect you as an artist, and they know you’re going somewhere.”Īlthough Thrill and bandmates Slow and Rottweiler are about to head out on the road, they’re also working on concepts and lyrics for their followup to last year’s 199Quad at the same time. “Jacksonville embraced us from the start and jumped on the record, Jacksonville and Orlando both together. “Then it was too late for them to say, ‘It can’t be real,’ ” Thrill said.
So Thrill didn’t tell anyone what he was up to until after “Whoot, There It Is” put Jacksonville on the map, and his own record came out. “Unlike New York, where people grow up believing that’s a legitimate occupation,” Thrill said, “in Jacksonville, if you would say that, people say, ‘Aw, man, naaaaah.’ They don’t see the opportunity, and they can’t believe what they can’t see.” Thrill, who now lives in Orlando, said Jacksonville wasn’t the kind of place where you could go around telling people, “I want to be a rapper.” “If you ever want to get a Heineken bottle thrown at you, perform at Jacksonville and don’t have it together!” Thrill said with a laugh. Thrill said he figured if his group could make it in its hometown, it could make it anywhere.
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The song was used on several TV sitcoms and got the group three Soul Train award nominations. 69 Boyz’s platinum party number “Tootsee Roll” has been on the Billboard rap chart for 45 weeks now, reaching No. “Street without the sticker” is what 69 Boyz’s lead rapper Thrill calls it. 95 South has tried to bring it up from the underground, making it more radio-friendly and also less potty-mouthed than the Miami bass of Luke’s 2 Live Crew, so kids could listen to it. There isn’t really a Jacksonville sound, A.B.
What we wanted to do was keep the music clean, try for a better quality of sound but basically stick to the way we came out in the beginning.” “We didn’t want to give our audience a totally different type sound. “We tried to basically keep everything the same – we didn’t want to throw people for a loop,” A.B. Likewise, when they went back into the studio, they decided to give fans One Mo’ ‘Gen – that is, “One More Again.” He and Black normally perform track dates (to recorded music) and try to keep everything just like the original performance so as not to disappoint fans. In live shows, he said, “Whoot” is just as popular as ever. “A lot of groups like to come out and have just mediocre success to begin with and gradually build, because it’s hard to come back time after time, especially when you start out with a major hit,” A.B. It just wanted to make a good record, but he and Black knew if they didn’t sell three million copies again, people would think they were falling off. said the duo wasn’t hoping to sell 200 million copies of the followup. “We were very self-conscious about the second album and the first single off the second album,” A.B. whether “Whoot” was a hard act to follow, and he’ll emit an emphatic, rather rueful “Yes!!!”
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